EDITORS’ NOTES Fittingly for an album where the star memorably plays two characters (on stick-up classic “Gimme The Loot”), Christopher Wallace’s debut opus has a beguiling duality at its core. For every swaggering corner boy anthem (“Juicy”, “Who Shot Ya”, g-funk-jacking slow jam “Big Poppa”) there’s a corresponding blast of hood paranoia and introspection (“Warning”, “Suicidal Thoughts”). Sprinkled with cinematic grandeur and held together by that unassailable flow, Ready to Die represents Biggie—and hip hop—at its contradictory best. EDITORS’ NOTES Fittingly for an album where the star memorably plays two characters (on stick-up classic “Gimme The Loot”), Christopher Wallace’s debut opus has a beguiling duality at its core. For every swaggering corner boy anthem (“Juicy”, “Who Shot Ya”, g-funk-jacking slow jam “Big Poppa”) there’s a corresponding blast of hood paranoia and introspection (“Warning”, “Suicidal Thoughts”). Sprinkled with cinematic grandeur and held together by that unassailable flow, Ready to Die represents Biggie—and hip hop—at its contradictory best.